Printmaking

I started printmaking largely due to running out of storage space, needing to find ways of producing flatter and more easily storable artefacts. But I soon became intrigued by the technical nature of it and the almost industrial set-up at the shared print studio.

I initially focused on more elaborate print techniques like Photopolymer etching or lithography, but eventually discovered mono-printing as way of effectively producing one-off paintings in a storable flat format.

Next: Experiments in Engagement (Art as Exchange)